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Setting Up Camera Frame Rates and Speed Multipliers in VideoFX

How to match your camera recording rate, timeline speed, and output frame rate for smooth, high-quality VideoFX results.

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Written by Rayman
Updated yesterday

Understanding frame rates and speed multipliers is key to creating smooth and cinematic VideoFX templates. This guide explains how to correctly configure your camera recording settings, timeline speed, and output frame rate to achieve your desired playback effects — from crisp slow motion to fluid real-time video.


Table of Contents

  • Important Notes

  • Camera Frame Rate Basics

  • Output Frame Rate Options

  • Understanding the Speed Multiplier

  • Combining Frame Rate and Speed Multiplier

  • Recommended Camera Frame Rates (Canon DSLRs)

  • SD Card Speed Requirements

  • Avoiding Flicker Under Fluorescent Lighting

  • Need Help? Contact Support


Important Notes

  • The final playback speed depends on three key variables:

    1. Camera-supported frame rates (e.g. 30–240 fps)

    2. Timeline speed multiplier

    3. VideoFX output frame rate

  • Always record at the highest frame rate your camera supports for the effect you want (especially for slow motion).

  • Your final playback speed is calculated from the ratio of recorded fps vs output fps — for example, 120 fps footage rendered at 30 fps gives you a smooth 1/4 slow motion effect.


Camera Frame Rate Basics

Frame rate (frames per second, fps) determines how smooth your video appears.

Motion Type

Typical Frame Rate

Description

Normal Motion

24–30 fps

Standard playback speed.

Smooth Motion

50–60 fps

Ideal for 360 booths or high-energy events.

Slow Motion

120–240 fps

Used for dramatic, cinematic effects.

💡 Tip: Always match your recording frame rate to your desired effect. Shooting at 120 fps and rendering at 30 fps produces beautiful 1/4 slow motion.


Output Frame Rate Options

In the VideoFX Builder → Master Settings, you can select your final output frame rate:

  • Smooth (40–60 fps):

  • Best for action, rotating booths, or dynamic guest movement.

    • Pros: Silky playback, reduced motion blur.

    • Cons: Larger files and longer render times.

  • Normal (20–30 fps):

  • Best for standard booths or short, looping videos.

    • Pros: Smaller files, faster uploads.

    • Cons: Slightly less fluid movement.


Understanding the Speed Multiplier

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The Speed Multiplier (found under Advanced Settings → Playback) changes how fast your recorded footage plays in the final timeline.

Speed Multiplier

Effect

Example Use

1/2

Half speed (slow motion)

Smooth cinematic slow motion

Real-time playback

Standard video

1.5×–3×

Fast-forward effect

Fun or energetic moments

Example:

If your camera records at 120 fps and your output is 30 fps, setting a 1/2 multiplier will create super slow motion. Setting it to 2× will create fast motion playback.


Combining Frame Rate and Speed Multiplier

Your effective playback depends on all three settings:

Effective Frame Rate = (Camera FPS ÷ Speed Multiplier) → Output FPS Render

Example Scenarios:

Cameras that support 240 FPS recording

Camera FPS

Speed Multiplier

Output FPS

Result

Output

240 fps

1/8

30 fps

8 × slow motion

1 sec = 8 sec

Optimal

240 fps

1/4

60 fps

4 x slow motion

1 sec = 4 sec

Smooth Playback

240 fps

1/2

60 fps

2× slow motion

1 sec = 2 sec

Smooth Playback

240 fps

60 fps

Normal playback

1 sec = 1 sec

Smooth Playback

Cameras that support 180 FPS recording

Camera FPS

Speed Multiplier

Output FPS

Result

Output

180 fps

1/6

30 fps

6 x slow motion

1 sec = 6 sec

Optimal

180 fps

1/3

60 fps

3 x slow motion

1 sec = 3 sec

Smooth Playback

180 fps

1/2

60 fps

2 x slow motion

1 sec = 2 sec

Smooth Playback

180 fps

60 fps

Normal playback

1 sec = 1 sec

Smooth Playback

Cameras that support 120 FPS recording

Camera FPS

Speed Multiplier

Output FPS

Result

Output

120 fps

1/8

30 fps

8× slow motion

1 sec = 8 sec

Not recommended

120 fps

1/4

30 fps

4 x slow motion

1 sec = 4 sec

Optimal

120 fps

1/2

60 fps

2 x slow motion

1 sec = 2 sec

Smooth Playback

120 fps

60 fps

Normal playback

1 sec = 1 sec

Smooth Playback

Cameras that support 60 FPS recording

Camera FPS

Speed Multiplier

Output FPS

Result

Output

60 fps

1/8

30 fps

8× slow motion

1 sec = 8 sec

Not recommended

60 fps

1/4

30 fps

4 x slow motion

1 sec = 4 sec

Not recommended

60 fps

1/2

30 fps

2 x slow motion

1 sec = 2 sec

Optimal

60 fps

60 fps

Normal playback

1 sec = 1 sec

Smooth Playback


Suppo Frame Rates (Canon DSLRs)

When recording VideoFX clips with Canon cameras, use the following frame rate settings for optimal slow-motion performance:

Model

Recommended Frame Rate

Canon R3

1080p @ 240 fps

Canon R5

1080p @ 120 fps

Canon R5 Mark II

1080p @ 240 fps

Canon R6 Mark II

1080p @ 180 fps

Canon R8

1080p @ 180 fps

Canon R6

1080p @ 120 fps

Canon R50

1080p @ 120 fps

Canon R10

1080p @ 120 fps

Canon R100

720p @ 120 fps


🔗 Check the Canon specifications for detailed comparison charts and ensure your SD card matches the write speed requirements.


SD Card Speed Requirements

Canon recommends the following minimum SD card speeds for high frame rate recording:

Recording Mode

Frame Rate

Full HD (High Frame Rate) 179–150 fps

UHS Speed Class 3 or higher (V60+)

Full HD (High Frame Rate) 120–100 fps

UHS Speed Class 3 or higher

4K UHD

Video Speed Class V60 or higher


💡 Tip: Always use UHS-II V60 or V90 cards for slow-motion recordings to prevent dropped frames or corrupted clips.


Avoiding Flicker Under Fluorescent Lighting

Flicker in slow-motion (or high frame-rate) videos often occurs under fluorescent or LED lighting. This is due to the AC frequency of artificial lights (typically 50 Hz or 60 Hz) causing the lights to pulse (often twice per cycle), which can conflict with your camera’s shutter speed or frame rate.

✅ To prevent flickering:

  • Whenever possible, record in natural (continuous) light, which avoids the pulsing effect of many artificial sources.

  • If using artificial lighting, set your shutter speed (and/or frame rate) so that the camera’s exposure period aligns with the lighting pulses. For example, if the mains frequency is 50 Hz (≈ 100 pulses/sec), try shutter speeds like 1/100 s, 1/50 s or multiples thereof. If the mains is 60 Hz (≈ 120 pulses/sec), try 1/120 s, 1/60 s etc.

  • Avoid extremely high frame rates under indoor pulsed lighting unless you’re using dedicated “flicker-free” lights (such as high‐frequency LED panels or ballasts) — because high frame rates increase the risk of capturing brightness fluctuations between pulses.

  • Always test your lighting with the actual camera settings you intend to use — some light fixtures (especially older fluorescents or cheap LEDs) may flicker at different rates than ideal.


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